Joan Jonas »

Sun Signals

Exhibition: 9 Feb 2024 – 31 Mar 2024
Opening: 10 Feb 2024

Sun Signals
Joan Jonas, Songdelay (still), 1973, 16mm film on HD video, courtesy Electronic Arts Intermix (EAI), New York. © Joan Jonas. Artists Right Society (ARS)/Copyright Agency, 2023

Joan Jonas: Sun Signals
is the first exhibition in Australia devoted to the work of video and performance art pioneer,
Joan Jonas
. Bringing together various disciplines
–
ranging from performance, video and sculpture to sound, drawing and installation
–
the New York artist’s boundary-crossing approach has had a profound impact on generations of artists.  



Sun Signals
presents a selection of Jonas’ single-channel videos from 1968
–
1976, focusing on her early productions and explorations of time, space and self-representation. Through an iterative treatment of movement, mirroring and sound, each work builds on the previous one as
PICA
’s Central Gallery is transformed into a chamber of unfolding gestures and cyclical compositions.  



Jonas’ reputation as ‘the digital sorceress’ resonates with the maternal principles of Ngaangk – the overarching theme of the
Perth Festival 2024
. Ngaangk refers to sun and mother in the language of the Noongar people who are the traditional custodians of the land on which the city of Perth now stands.  



Sun Signals
takes its name from an action depicted in the recently restored 16mm film
Songdelay
(1973) where Jonas uses a mirror to reflect sunlight into the eyes of the audience. Amongst other works, the exhibition also features the rare double projection of
Mirage
(1976) and
Mirage II
(1976/2000) where the artist repeatedly traces and erases drawings on a blackboard, including symbols for a storm, a rainbow, the sun and moon
. 
 



Sun Signals
is accompanied by the live performance of Jonas’ iconic work
Mirror Piece I & II
(1969-70/2024) on Saturday 10 February. This 30-minute work takes place in PICA’s Central Gallery with 15 local performers carrying life-size mirrors in which they create an immersive scene of moving imagery. Guided by the hands of women, the performance is a reclaiming of the mirror as a powerful tool for female self-representation.