Todo lo que se quiere debajo del cielo

Sandra Blow‘s photographic work is situated at a turning point between intimate testimony and social critique, between celebration and danger, between the image as an act of love and as a battlefield. Her deeply committed gaze on queer lives and marginalized bodies in today’s Mexican society unfolds a vibrant, urgent and provocative archive. From her feminist trench, Blow delves into the folds of the urban night to make visible those who have historically been excluded from the dominant visual narrative: trans, racialized, non-binary, precarious and rebellious people.