Hope & Peace

Stills Gallery is pleased to announce an exhibition of new work by Brook
Andrew. Showing his virtuosity across medium and style Hope & Peace
features large-scale screen prints using a mix of traditional Wiradjuri
designs, consumer icons and a portrait of Anthony Mundine - The Man. Andrew
worked with Australian master screen printer Larry Rawling to produce these
impressive works.

The new works in Hope & Peace juxtapose the traditional designs
from Andrew's own (Wiradjuri) culture, usually found on shields and
boomerangs, with images of cigarette and chewing gum packets found during his
travels, packets that offer the prospect of Hope or Peace for a few dollars.
There is a retro aesthetic in the works bringing to mind the innocent faith of
the 50's in consumer goods and heroes. As with much of his earlier work,
Andrew's use of text is seductive and ironic. It points to the false promises
of corporations and of white culture. Words/brands such as Frontier
Lights, BlackBlack and Black & White Special Cut hint at
the way white cultures have impacted on indigenous cultures, consuming them.
Andrew also suggests the complexity of issues surrounding propaganda, racism,
addiction and celebrity.

In one work, Peace, the Man and Hope, an image of Aboriginal boxer
Anthony Mundine is flanked by Wiradjuri designs containing Peace and Hope
cigarette packets. With his outstretched rainbow-coloured arms are we to read
heroism, protection or suffering? Andrew offers us no glib conclusions about
this postcolonial Aboriginal man.

Brook Andrew is an interdisciplinary artist who works conceptually with
installation, digital media, photography, sound, performance, film & neon.

His artworks deal with contemporary global culture, drawing attention to
issues such as identity, race, consumption, celebrity and politics. He has
been showing his work since 1992, in exhibitions including Blakness: Blak
City Culture! at the Australian Centre for Contemporary Art, Melbourne;
Oltre il Mito (Beyond Myth): Venice Biennale satellite (1999). He has
had a number of significant public art commissions including for the Sydney
2000 Olympics, Sydney International Airport and the Queensland Museum. His
work continues to be shown nationally and internationally and is held in many
private and public collections.